Star Trek Enterprise (Season 2b)
Season 2a -- 2c
Looking back on this bit of “Enterprise” a common theme is that not a lot actually happens. Hopefully, this is the low-point for the series.
Episode 33 “The Seventh”
T’Pol takes Archer with her on a mission to capture a criminal she was hunting down before she joined the Enterprise crew. She has a lot of angst about the mission (especially considering she is a Vulcan!) and begins to have doubts about her mission once they catch up to the fugitive. Archer’s role in the mission is to deliver a nugget of wisdom at the climax: “You were sent to apprehend him, not to judge him.” In this case that ends up being a good bit of advice, but is diverting responsibility for one’s actions really all that noble?
Episode 34: “The Communicator”
Reed misplaces his “future-tech” on a planet that is backwards (read present-day Earth). They must return to retrieve it lest it contaminate the culture, and they manage to snafu things up even more. (Unsurprisingly)
Episode 35: “Singularity”
Venturing too close to a black hole renders everybody save T’Pol an anal-retentive mess—to death, if she can’t get them out of there. I always knew being persnickety could be hazardous.
Episode 36: “Vanishing Point”
The show delves into the most uncomfortable aspect of the Trek universe: the fact that our characters are regularly killed at a molecular level with new versions being treated as continuations. Even more improbable, we are asked to believe that the majority of this story is a mere hallucination going on in the mind of Hoshi while she is millions of disassembled molecules vaporized on a planet surface (or another set being prepared for assembly on the ship.)
Episode 37: “Precious Cargo”
Some of the creators of the show consider this to be the worst piece of Trek ever aired. It is basically “Spaceballs” without the humor.
Episode 38: “The Catwalk”
The idea of sticking the whole crew into a small space seemed like a good idea until they tried it. Then it ended up being so boring they had to throw in an action plot point at the last minute.
Looking back on this bit of “Enterprise” a common theme is that not a lot actually happens. Hopefully, this is the low-point for the series.
Episode 33 “The Seventh”
T’Pol takes Archer with her on a mission to capture a criminal she was hunting down before she joined the Enterprise crew. She has a lot of angst about the mission (especially considering she is a Vulcan!) and begins to have doubts about her mission once they catch up to the fugitive. Archer’s role in the mission is to deliver a nugget of wisdom at the climax: “You were sent to apprehend him, not to judge him.” In this case that ends up being a good bit of advice, but is diverting responsibility for one’s actions really all that noble?
Episode 34: “The Communicator”
Reed misplaces his “future-tech” on a planet that is backwards (read present-day Earth). They must return to retrieve it lest it contaminate the culture, and they manage to snafu things up even more. (Unsurprisingly)
Episode 35: “Singularity”
Venturing too close to a black hole renders everybody save T’Pol an anal-retentive mess—to death, if she can’t get them out of there. I always knew being persnickety could be hazardous.
Episode 36: “Vanishing Point”
The show delves into the most uncomfortable aspect of the Trek universe: the fact that our characters are regularly killed at a molecular level with new versions being treated as continuations. Even more improbable, we are asked to believe that the majority of this story is a mere hallucination going on in the mind of Hoshi while she is millions of disassembled molecules vaporized on a planet surface (or another set being prepared for assembly on the ship.)
Episode 37: “Precious Cargo”
Some of the creators of the show consider this to be the worst piece of Trek ever aired. It is basically “Spaceballs” without the humor.
Episode 38: “The Catwalk”
The idea of sticking the whole crew into a small space seemed like a good idea until they tried it. Then it ended up being so boring they had to throw in an action plot point at the last minute.
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